Welcome to my stop on the blog tour for Death in the Family by Lanny Larcinese. This book tour was organized by Goddess Fish Promotions. On my stop, I have an excerpt for you as well as a guest post. There's also a tour wide giveaway for a chance to win a $25 Amazon gift card. Be sure to check out the rest of the stops for more excerpts, guest posts, interviews, reviews, and more. Enjoy!
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Title: Death in the FamilyAuthor: Lanny Larcinese
Publisher: Intrigue Publishing LLC
Publication Date: January 1st 2020
Print Length: 269 pages
Genre: Crime Thriller
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Donny Lentini is a talented young man hungry for his mother's love. To please her, he becomes guardian angel to his mob-wannabe father. When the father is murdered and found with his hands hacked off, Donny is dealt a set of cards in a game called vengeance. The pot is stacked high with chips; the ante, his soul and the lives of loved-ones. With the help of friends—ex-con, defrocked Jesuit Bill Conlon along with former high-school nemesis, Antwyne Claxton—he digs for whether the murder had anything to do with the mob's lust for a real estate parcel owned by the family of Donny's lover. He's new at this game. He doesn't cheat, but plays his cards well. And he gets what he wants.
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EXCERPT:
I slid my foot over to touch Dad’s. I had promised Mother I’d look after him.
“Is this about the money you lost at the table?” I said. “Should we play a few more hands?”
German pounded his fist on the desk. “Don’t try to second-guess me, you punk! You’ll talk when I say, got it?”
I kept my eyes fixed on German’s. Six…seven…eight…
Dad reached over and put his hand on mine. “I didn’t lose the cleaners,” he said. A bead of sweat meandered toward his jaw. “The union was working on ’em going back three years now. It was already a done deal by the time I got there.”
“Whatever,” German said. “Just don’t let it happen anymore. And tell Donny here to mind his manners or you’ll be back driving a truck.”
The baseball bat leaning in a corner near German’s desk was an exclamation point that punctuated his directives. If it ever came down to that, I’d slash his throat with a rusty knife. Yet I still had to walk a tightrope. Dad would have preferred the bat to the demotion. Dad was a climber and German his future.
German picked up a couple of coded folders and put them into a filing cabinet, slamming the drawer down its rails like a runaway train.
“Oh, and Joojy wants to see you. I don’t know about what.”
“What about?” Dad said.
“You don’t hear? I said I don’t know! Maybe that thing. Now get outta here, both yiz. I got to take my daughter to ballet.”
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ABOUT THE AUTHOR:
Lanny Larcinese ‘s short work has appeared in magazines and has won a handful of local prizes. He lives in Philadelphia, Pennsylvania. He’s a native mid-westerner transplanted to the City of Brotherly Love where he has been writing fiction for seven years. When not writing, he lets his daughter, Amanda, charm him out of his socks, and works at impressing Jackie, his long-time companion who keeps him honest and laughing—in addition to being his first-line writing critic. He also spends more time than he should on Facebook but feels suitably guilty for it.
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GUEST POST:
Writing Characters
by Lanny Larcinese
by Lanny Larcinese
All writers have their own process. Mine begins with character(s). They present early on. I pay no mind to back-story, physical characteristics, or even their role at this initial stage; rather, I contemplate how their emotional construct impels their actions. Writers recognize this as: What does the character need? What motivates him?
Where I part company with some is to require a refined sense of what that need is. It can be simple: Saving the world, getting vengeance, finding love, etc., which may arise from a constellation of experiences and mental, emotional, and often cultural circumstances prior to emerging. For example, “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” There is a lot of back-story packed into that Big Bang of an opening line from “Pride and Prejudice,” such that it led to a novel’s worth of attitudes, feelings, assessments, strategies and inter-character dynamics unfolding throughout the entire, fascinating book.
I am not referring to the best way to reveal or mete out characters’ motivations; I am saying I need to comprehend the underlying geology before I can explain a volcano’s eruption.
When I created Eddie Matthews, the despicable bad guy in “I Detest All My Sins,” I wanted to humanize him, so gave him a violent childhood. But it wasn’t enough to confer complex emotional depth beyond expected anger and violence. He wants his captive, Louise, to want him emotionally and sexually. He’s more than willing to handcuff her in a closet and abuse her in the meantime, yet he still longs for her. He’s by no means sympathetic; he’s otherwise self-serving, evil as hell, and a little ego parading as a big ego. But who can’t identify with feelings of longing? It contributed to the favorable Kirkus review of the book, including the remark, “…there’s an appealing neatness to the author’s careful psychological studies.”
The more clarity we possess regarding our own inner landscape, the easier to project it onto our fictional characters; yet not simple. We have defenses, ways of rationalizing unpleasant events and feelings about ourselves that may arise from them. I’m no shrink, but I frequently pause at the keyboard, lean back, and conjure my own history before I can imbue it into a fictional character. Perhaps this is why writing is often cathartic.
I am fascinated by training in method acting, i.e., techniques to access long-ago emotions locked in a closet out of self-protectiveness for use on the stage—crying real tears when the scene calls for it—then putting the grief back into the closet when the klieg lights go off. There, the actor isn’t “acting” per se, but in that and other moments “becomes” the character.
Finally, not everybody needs to plumb depths of their own psyches to create fascinating, complex characters. Some have great radar or are blessed with intuitive understandings of psychodynamics. Me? I need to dig within myself. I need to access feelings of fear, longing, love, hate, frustration—the panoply of emotions attendant to being human—and bring them to the surface, examine them from all angles, recall what they meant to my life and how I reacted for better or for worse, and what the consequences were.
Once I do that in me, I can put it in a book.
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GIVEAWAY:
Lanny Larcinese will be awarding a $25 Amazon or Barnes & Noble gift card to a randomly drawn winner via Rafflecopter after the tour. To increase your chance of winning, leave a comment at a different stop each day. Good luck!